"So, as you probably saw in the film, we needed a Victorian-era house that had stairs, a hallway and an attic since the plot was supposed to take place in the Netherlands..."
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"Basically the idea consisted of having a PA standing in a ladder close to the actors holding the hose up and carefully spraying the water."
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"The most ‘practical’ and ‘cost-effective’ way was to shoot on green screen in a pool and rely on vfx to bring that sequence to life."
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I fell in love with the concept that our souls never cease to exist, and therefore, we are never born and we never die. I began to wonder, ‘what if we do reincarnate, what if soulmates do exist, and what if the love between two people could survive death and the time in between?’
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"One of the things that I love most about being a filmmaker is that I get to explore new realities and learn about other people’s lifestyles and careers with each film. For I REMEMBER YOU, I got to learn about what the life of a scientist is like..."
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